Titan Industries — India’s leading watch manufacturer and the world’s fifth largest — recently fired a fresh salvo in the watch market. In September, the Bangalore-headquartered US$760 million company made its very first foray into the world of plastic watches with a new range called “Super Fiber.” A trendy and youthful collection of both analog and digital watches, the Super Fiber range is part of Titan’s mass-market Sonata brand. However, unlike the rest of the Sonata brand, which has watches priced up to US$30, the entire Super Fiber range is priced below US$10.
With this new launch, Titan is taking dual aim. On the one hand, it is looking specifically to target mass-market consumers in the 16 to 25 age group. Perhaps more importantly, it is also looking to make fresh inroads into the country’s huge “unorganized” retail sector — including corner shops, kiosks, street vendors and other single-proprietor venues — which traditionally has been dominated by cheaply made, value-priced goods.
Although organized retail has taken hold in India — with large, “modern trade” stores offering a more sophisticated shopping experience, better selection, competitive prices, and formalized return and exchange policies — the unorganized sector isn’t going away any time soon. At present, unorganized outlets represent 97% of Indian retail, and according to a 2008 report by the Indian Council for Research on International Economic Relations, the sector is expected to grow at an annual rate of 10%, reaching US$496 billion in 2011. Based on that analysis, Titan’s strategy seems timely. But a question remains: How does it plan to succeed in a market segment where bargain prices and cultural associations often outweigh brand cachet?
“The sub-$10 watch market in India is flooded by cheap Chinese imports and low-quality domestic products. The value we bring to this segment is high quality and exceptional styles,” explains Bhaskar Bhat, Titan’s managing director.
Harish Bhat, chief operating officer for the company’s watch division (Titan also manufactures jewelry and other products), explains that, unlike the low-quality plastic watches currently available in the market at this price point, Super Fiber watches offer superior performance and durability. The straps are made of polyurethane and the cases are ABS (acrylonitrile butadiene styrene), making the watches more flexible, fall resistant and water resistant. Despite its low pricing, the Super Fiber range also comes with a one-year replacement warranty. “Our global sourcing and economies of scale give us a significant price advantage and enable us to offer an easy entry for consumers to the branded world at this price point,” he says.
Bhaskar and Harish expect Super Fiber to play a key role in doubling Sonata’s sales from five million watches a year at present to 10 million watches per year over the next three years. This will make Sonata, which is currently India’s largest-selling watch brand, one of the largest-volume watch brands in the world.
They have reason to be confident. The Indian watch market is currently estimated to be around 42 million units, of which only 15 million units are from the organized-retail players. Among the organized players, Titan leads the pack with a lion’s share of around 11 million units across its watch portfolio of four brands: the flagship brand Titan (addressing the mid- and premium segments), Sonata (the budget segment), Fast Track (the youth segment) and Xylys (Titan’s top-end, Swiss-manufactured brand). The second-largest branded player in the Indian watch market is Timex, with a market share of around 7%.
The sub-$10 category that Titan is now targeting with Super Fiber accounts for around 40% of the market in terms of volume. With over half of India under 25 years of age, Titan’s game plan is to catch them early on in the value chain and then get them to upgrade to its higher-value products.
A Cricket Connection
Titan is targeting Super Fiber sales to come in mainly from the semi-urban markets — and in keeping with its target group, the company has roped in Mahendra Singh Dhoni, the young cricketing icon who hails from the small town of Ranchi in Eastern India, as its brand ambassador.
S. Ramesh Kumar, professor of marketing at the Indian Institute of Management, Bangalore, points out that at the lower end of the price spectrum, cultural aspects unique to the Indian context and value perception are important for brands attempting to break into the unorganized sector.
Kumar cites Fair & Lovely “fairness” cream, Parachute hair oil and Tiger biscuits as examples of brands that have used habits and beliefs that are unique to the Indian context. “Being fair is beautiful, coconut hair oil for healthy hair and eating biscuits with tea are some of the beliefs and habits associated with consumers in the Indian context, and these brands have successfully used these beliefs [to create] an appropriate value perception among consumers.”
Kumar adds that value perception is applicable to both quality of offerings as well as the pricing aspects, and he points out that all three brands have low-priced sachet packing as stock keeping units. “Titan’s low-priced model, with its cricket-based celebrity associations, is another example of how a brand combines value perception with culture,” he says. (Cricket, as is well known, is an intrinsic part of Indian culture.)
Titan’s associates see the company’s move in this space as hitting a sweet spot. “Coming from Titan, Super Fiber assures quality and style — both of which are currently lacking in this price segment. It has the potential to redefine the low-end, unorganized watch market in India,” says B.K. Singhania, a partner at Bangalore-based Arun Distributors, a long time distributor of Titan watches.
Redefining the market in fact is pretty much core to Titan’s success since its inception in 1987. At that time, the watch market comprised primarily mechanical watches, and the government-owned Hindustan Machine Tools (HMT) was the only significant branded player. HMT’s watches stood for accuracy and robustness — and for the consumer, the sturdy watch was just a functional time-keeping device.
Titan entered the market with two key differentiators: One, it brought in quartz watches, which it promoted aggressively, and two, it introduced the element of style — which until then was missing in this segment. There were other firsts, too, that Titan introduced in the watch market: It ushered in a completely new retail experience, brought out advertising with aspirational value and offered after sales service in a showroom environment.
With the entrance of Titan, the watch got transformed from a humble time-keeping device to a style statement and a fashion accessory. According to Harish Bijoor, brand consultant and chief executive officer of Harish Bijoor Consults and visiting professor at the Indian School of Business: “Titan changed the paradigm in the watch market. It was, in fact, one of the first Indian brands to realize that differentiation is the key to success.” Adds Santosh Desai, chief executive officer of Future Brands, a subsidiary of the Future Group: “Titan has the ability to bring in a certain amount of newness of thought into existing categories. Titan’s decision to come in only with quartz, for instance, was a very brave one,” at a time when nearly all Indian consumers were familiar with hand-wound watches.
Desai points out that a brand attempting to be among the first branded presences in a fragmented category must first justify why the category needs a brand in the first place. “There are good reasons why categories don’t have brands. It could be the artisan aspect of the category, like in the case of female ethnic garments, or deep personal relationships like with jewelry, or it could be the sheer price aspect like in commodities. You need to redefine the market and create a value perception of a different kind that gives the consumers an overriding reason to shift to a brand.”
This is exactly what Titan did when it entered the jewelry market in 1994 with its Tanishq brand. Tanishq not only brought a wide design expertise and a plush retail environment to a segment which until then was limited to local family jewelers and small set ups, but by being the first to introduce the karat meter to measure the exact purity of gold, it brought the element of trust to the forefront. Before Titan, ‘trust’ between the consumer and the jeweler was a factor of personal relationships. “The reassurance of guarantee and purity in such a transparent manner was a great new value addition that Tanishq brought to this category,” says Desai.
While there are strong city-specific players like Ganjam and C. Krishnaiah Chetty in Bangalore or G.R. Thanga Maligai in Chennai, Tanishq, with sales of US$450 million is the only significant national brand. The jewelry market in India, estimated to be around US$15 billion to US$20 billion, primarily comprises a host of small players.
C.K. Venkatraman, chief operating officer of Titan’s jewelry division, says that Titan has adopted a double-pronged growth strategy for its jewelry business. In the metros and larger cities where the Tanishq brand is well established, it is working at increasing its reach by becoming more accessible. In the past three years, it has doubled the number of Tanishq showrooms from 60 to around 120. Simultaneously, it is also reaching out to the semi-urban and rural markets through a separate mass-market brand called GoldPlus, which it launched around three years ago. Titan currently has 30 GoldPlus stores in South India. Over the next couple of years, Venkatraman plans to expand the GoldPlus showrooms in very small towns across the country.
Interestingly, Titan has not associated the GoldPlus brand with Tanishq. Instead, it is drawing strongly from its parentage as a Tata-owned company, positioning the brand as ‘GoldPlus from Tata.’ Venkatraman explains why: “Tanishq is still a young brand, and its awareness is limited to the larger cities, but the Tata brand is over 100 years old and is synonymous with reliability and trust. It is known everywhere.” According to Venkatraman, while Tanishq will play on the style platform, in the case of GoldPlus the primary focus will be on value. Bijoor, however, questions this strategy: “Over the next eight to ten years, even the smaller markets will go the Tanishq way. So why not look at taking Tanishq itself to the smaller towns and do evangelical work there?”
Eyeing Other Territories
Meanwhile, Titan is now looking to bring the power of the brand to yet another unorganized category: Last year it entered into prescription eyewear with Titan Eye+. The prescription eyewear market in India is estimated to be around 25 to 30 million units per annum with revenues of US$300 million and growing at around 15% to 20% per annum. As per industry statistics, only around 25% of the people who need prescription eyewear are actually using them.
Despite its size and growth potential, however, this is another industry that is largely fragmented. While there are some strong regional branded players like GKB and Lawrence & Mayo, there is no large national player in this space. It is this opening that Titan is aiming to fill with its Titan Eye+.
Like in watches and jewelry, Titan’s play in eyewear is based on trust, design and retail. In the year-and-a-half since it has entered this space, Titan has opened 30 stores across 12 cities, and over the next three years it plans to open around 250 stores across the country. Unlike traditional ‘across the counter’ optical stores, the Titan Eye+ stores are styled on a browse, select and buy format where the customers are offered a wide range of frames and lenses comprising both in-house as well as global brands like Gucci, Armani, Essilor, Bausch & Lomb and so on. Each store also has a style consultant and a state-of-the-art optometric clinic that promises zero error prescriptions free of cost.
Ravi Kant, chief operating officer, eyewear division, points out that even though global lens brands like Essilor are present in India, customers typically leave the choice of lens to the optician. “There is no transparency in the prescription eyewear market in India, and the customer typically has no clue what he is paying for,” he says. Kant adds that as in the case of watches, in eyewear Titan’s focus is on positioning the product as a style and fashion statement and driving multiple [purchases]. “Eyewear is no longer about just seeing well. It is also very much about looking good and it is fast becoming a lifestyle product,” says he.
The lifestyle space, in fact, is where Titan is looking to make a larger play. Having tasted success in watches and jewelry and forayed into eyewear, Titan now wants to leverage its strengths in manufacturing, design expertise, retail knowhow and brand building for other lifestyle products. It is actively researching new categories that it can enter. Titan is also looking at expanding Fast Track, its youth brand comprising watches and sunglasses, to other accessories like belts, bags and so on.
Bhaskar Bhat is, however, emphatic that Titan will not enter any category where the opportunity to compete is only on price and product quality alone. Says Bhaskar: “We have always chosen to enter segments where we saw that the consumer was being significantly underserved. In watches, it was lack of choice; in jewelry, it was under-caratage; and in eyewear, it was lack of information. In each of our businesses, we have focused on offering sharp differentiators, and the greatest consumer opportunity to differentiate comes in the unorganized sectors.”
Desai of Future Brands expects that over the coming years, more and more unorganized sectors will in fact see a brand play. One key driver of this, he says, will be the fast-growing modern trade format. Traditional Indian stores, he notes, are like “cupboards,” where only a few items are visible and consumers cannot access them directly. Typically, it is the shopkeeper who mediates. The modern trade format, on the other hand, offers the consumers the opportunity to build a direct relationship with brands. “The moment modern trade opens up, the number of brands that a market can handle goes up dramatically,” says Desai.
Citing the example of the female ethnic wear category, Desai adds: “Earlier, there were very few national retail chains which could offer controlled distribution, and that made it very difficult to set up a national brand in female ethnic wear. With modern trade opening up, it will be far easier for categories like these.” Desai sees Fabindia, which has a chain of 97 stores across the country, as one of the first national brands emerging in this space.
Pointing to examples like radio-cab service Meru Cabs and household services provider Handiman Services, Richa Arora, founder and chief strategy officer of Five By Six Consulting, notes that services is an area where one is likely to see a lot of branding soon, especially in the metros. According to Arora, who has earlier worked with companies like Britannia, Balsara Home Products and FCB Ulka: “Across categories, the consumer is fed up of the low level of service. He is now more aware and more demanding, and this makes it conducive for brands to emerge in the services sector.”
According to Bijoor a nation gets hungry for brands when its economic profile has an equal proportion of the “haves” and the “have nots”. “Currently, around 35% of the Indian population is prosperous, while 65% is non-prosperous,” he says. “Typically, it takes over two decades to build a strong, ubiquitous brand. With India moving towards higher prosperity, this is the right time to start building more evangelical brands in India.”